ArchivesSpace at the University of Iowa

In this book which is also designated as Tangenten No.4, a small square of mirror is set in stamped out thin card pages. One glassine page overlays it with a printed magic square poem. Parts of the backing of the mirror have been scatched out by the artist and it has been glued down to the card. Poetry has been printed on the pages with the stamped out sections. This book was edited by Walter Aue. -- Source of annotation: Marvin or Ruth Sackner.

Khu-En-Oho is another name for d.a. levy -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by the publisher and printer, Jason Davis. This title was first printed by 400 Rabbit Press, Cleveland 1966 in 120 copies. The layout of the poem on the right sid e of the page is reminiscent of ee cummings' style. -- Source of annotation: Marvin or Ruth Sackner.

The cover was designed by the publisher and printer, Jason Davis. This title was first printed by 400 Rabbit Press, Cleveland 1966 in 120 copies. The layout of the poem on the right side of the page is reminiscent of ee cummings' style. -- Source of annotation: Marvin or Ruth Sackner.

Linda Depew did the linoleum block print on the cover. The pages mostly depict a 2 x 2 square or triangular grid with the stencilled letters L, O, V, and E as well as in some instances a blank square placed in various combinations. -- Source of annotation: Marvin or Ruth Sackner.

The Firesign Theatre broadcasted on KPFP FM, Los Angeles from 1970-1971. The group consisted of Philip Austin, Peter Bergman, David Ossman, and Philip Procter. The centerfold is a photocopied page from a radio script. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Carla Bertola. -- Source of annotation: Marvin or Ruth Sackner.

Edited by Carla Bertola. -- Source of annotation: Marvin or Ruth Sackner.

The dedication reads, "to Marvin Sackner - The Ruth and Marvin Sackner Archive of Concrete and Visual Poetry MIAMI USA - whose colossal collection, stockpiled over many obsessive years guarantees that this form of poetry beloved of many dedicated exponents world-wide will in all good time become visible." The first page provides Claire's definition of concrete poetry repeated 4 1/2 times on the page. Each subsequent page was created by overprinting through altering the position of the page in the ink jet printer. -- Source of annotation: Marvin or Ruth Sackner.

Damaso Ogaz (1924-1990). -- Source of annotation: Marvin or Ruth Sackner.

This book has spiral spines on two of its borders. Text consists of the words, "gloom, doom, womb and tomb," similar to another book held by the Sackner Archive with a different format by Crombie, entitled "Womb to Tomb." -- Source of annotation: Marvin or Ruth Sackner.

Probably less than 100 copies were printed by Paul Sharits. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a love story with peculiar typography - the letters are formed by selectively filling in or overlaying two concentric circles with black or red ink. -- Source of annotation: Marvin or Ruth Sackner.

This book consists of a love story with peculiar typography - the letters are formed by selectively filling in or overlaying two concentric circles with black or red ink. -- Source of annotation: Marvin or Ruth Sackner.